Award season is well underway with a host of efforts hoping they’ll be competing for the big gongs at next years Golden Globes and, of course, the Academy Awards. While we still have a couple of months to see who’ll be amongst those winners, we have a number of smaller events coming up to give us some clues. Here are the nominations for the Independent Spirit Awards which sees multiple nominations for the the likes of BEASTS OF THE SOUTHERN WILD, SILVER LININGS PLAYBOOK and MOONRISE KINGDOM.
BEST FEATURE
Beasts of the Southern Wild
Michael Gottwald, Dan Janvey & Josh Penn (producers)
Bernie
Liz Glotzer, Richard Linklater, David McFadzean, Dete Meserve, Judd Payne, Celine Rattray, Martin Shafer, Ginger Sledge, Matt Williams (producers)
Keep the Lights On
Marie Therese Guirgis, Lucas Joaquin, Ira Sachs (producers)
Moonrise Kingdom
Wes Anderson, Jeremy Dawson, Steven Rales, Scott Rudin (producers)
Silver Linings Playbook
Bruce Cohen, Donna Gigliotti, Jonathan Gordon (producers)
BEST DIRECTOR
Wes Anderson, Moonrise Kingdom
Julia Loktev, The Loneliest Planet
David O. Russell, Silver Linings Playbook
Ira Sachs, Keep the Lights On
Benh Zeitlin, Beasts of the Southern Wild
BEST SCREENPLAY
Wes Anderson & Roman Coppola, Moonrise Kingdom
Zoe Kazan, Ruby Sparks
Martin McDonagh, Seven Psychopaths
David O. Russell, Silver Linings Playbook
Ira Sachs, Keep the Lights On
BEST FIRST FEATURE
(Award given to the director and producer)
Fill the Void
Rama Burshtein (director); Assaf Amir (producer)
Gimme the Loot
Adam Leon (director); Dominic Buchanan, Natalie Difford, Jamund Washington (producers)
Safety Not Guaranteed
Colin Trevorrow (director); Derek Connolly, Stephanie Langhoff, Peter Saraf, Colin Trevorrow, Marc Turtletaub (producers)
Sound of My Voice
Zal Batmanglij (director); Brit Marling, Hans Ritter, Shelley Surpin (producers)
The Perks of Being a Wallflower
Stephen Chbosky (director); Lianne Halfon, John Malkovich, Russell Smith (producers)
BEST FIRST SCREENPLAY
Rama Burshtein, Fill the Void
Derek Connolly, Safety Not Guaranteed
Christopher Ford, Robot & Frank
Rashida Jones & Will McCormack, Celeste and Jesse Forever
Jonathan Lisecki, Gayby
JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000. Award given to the writer, director, and producer. Executive Producers are not awarded.)
Breakfast with Curtis
Laura Colella (writer-director-producer)
Middle of Nowhere
Ava DuVernay (writer-director-producer); Howard Barish, Paul Garnes (producers)
Mosquita y Mari
Aurora Guerrero (writer-director); Chad Burris (producer)
Starlet
Sean Baker (writer-director); Blake Ashman-Kipervaser, Kevin Chinoy, Patrick Cunningham, Chris Maybach, Francesca Silvestri (producers)
The Color Wheel
Alex Ross Perry (writer-director-producer); Carlen Altman (writer)
BEST FEMALE LEAD
Linda Cardellini, Return
Emayatzy Corinealdi, Middle of Nowhere
Jennifer Lawrence, Silver Linings Playbook
Quvenzhané Wallis, Beasts of the Southern Wild
Mary Elizabeth Winstead, Smashed
BEST MALE LEAD
Jack Black, Bernie
Bradley Cooper, Silver Linings Playbook
John Hawkes, The Sessions
Thure Lindhardt, Keep the Lights On
Matthew McConaughey, Killer Joe
Wendell Pierce, Four
BEST SUPPORTING FEMALE
Rosemarie DeWitt, Your Sister’s Sister
Ann Dowd, Compliance
Helen Hunt, The Sessions
Brit Marling, Sound of My Voice
Lorraine Toussaint, Middle of Nowhere
BEST SUPPORTING MALE
Matthew McConaughey, Magic Mike
David Oyelowo, Middle of Nowhere
Michael Péna, End of Watch
Sam Rockwell, Seven Psychopaths
Bruce Willis, Moonrise Kingdom
BEST CINEMATOGRAPHY
Yoni Brook, Valley of Saints
Lol Crawley, Here
Ben Richardson, Beasts of the Southern Wild
Roman Vasyanov, End of Watch
Robert Yeoman, Moonrise Kingdom
BEST DOCUMENTARY
(Award given to the director and producer)
How to Survive a Plague
David France (director); David France, Howard Gertler (producers)
Marina Abramovi?: The Artist is Present
Matthew Akers (director); Maro Chermayeff, Jeff Dupre (producers)
The Central Park Five
Ken Burns, Sarah Burns, David McMahon (directors-producers)
The Invisible War
Kirby Dick (director); Tanner King Barklow, Amy Ziering (producers)
The Waiting Room
Peter Nicks (director-producer); Linda Davis, William B. Hirsch (producers)
BEST INTERNATIONAL FILM
(Award given to the director)
Amour (France), Michael Haneke
Once Upon A Time in Anatolia (Turkey), Nuri Bilge Ceylan
Rust And Bone (France/Belgium), Jacques Audiard
Sister (Switzerland), Ursula Meier
War Witch (Democratic Republic of Congo), Kim Nguyen
16th ANNUAL PIAGET PRODUCERS AWARD
(The 16th annual Piaget Producers Award honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.)
Nobody Walks, Alicia Van Couvering (producer)
Prince Avalanche, Derrick Tseng (producer)
Stones in the Sun, Mynette Louie (producer)
19th ANNUAL SOMEONE TO WATCH AWARD
(The 19th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant.)
Pincus, David Fenster (director)
Gimme the Loot, Adam Leon (director)
Electrick Children, Rebecca Thomas (director)
STELLA ARTOIS TRUER THAN FICTION AWARD
(The 18th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.)
Leviathan, Lucien Castaing-Taylor and Véréna Paravel (directors)
The Waiting Room, Peter Nicks (director)
Only the Young, Jason Tippet & Elizabeth Mims (directors)
ROBERT ALTMAN AWARD
(Given to one film’s director, casting director, and its ensemble cast)
Starlet, Sean Baker (director); Julia Kim (casting director); Dree Hemingway, Besedka Johnson, Karren Karagulian, Stella Maeve, James Ransone (cast)
Craig was our great north east correspondent, proving that it’s so ‘grim up north’ that losing yourself in a world of film is a foregone prerequisite. He has been studying the best (and often worst) of both classic and modern cinema at the University of Life for as long as he can remember. Craig’s favorite films include THE SHAWSHANK REDEMPTION, JFK, GOODFELLAS, SCARFACE, and most of John Carpenter’s early work, particularly THE THING and HALLOWEEN.
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