Sony Pictures has release a new trailer for The Persian Version, a new film coming to cinemas very soon. The film won the Audience Award and the Best Screenplay Award at this years Sundance Film Festival.
Coming from two countries at odds with each other, Iranian-American Leila (Layla Mohammadi) strives to find balance and embrace her opposing cultures, while boldly challenging the labels society is so quick to project upon her. When her family reunites in New York City for her father’s heart transplant, Leila navigates her relationships from arms length in an effort to keep her “real” life separate from her family life. However, when her secret is unceremoniously revealed, so are the distinct parallels between her life and that of her mother Shireen (Niousha Noor).
Punctuated by a bright colour palette, snappy comedic relief, and vibrant dance numbers, THE PERSIAN VERSION delivers an honest portrayal of a woman who remains unapologetically herself, blended seamlessly into a heartfelt story about family, belonging, and the undeniable influence of pop music.
writer-director-producer Maryam Keshavarz brings the feature to the screen with it being described as ‘a crowd pleasing film that is a compelling, intelligent, and timely story of both the Iranian, and the Iranian-American, experience’.
It is aiming for cinemas on March 22nd.
Here’s the trailer.
Latest Posts
-
Film News
/ 6 hours ago100% pure adrenaline – new trailer for the BFI’s new ‘Point Break’ restoration
Point Break, one the four movies from at the centre of Patrick Swayze’s golden...
By Paul Heath -
Interviews
/ 6 hours agoBen Goodger & Toby Goodger discuss FrightFest film ‘Year 10’
Each year, in the lead up to Pigeon Shrine FrightFest, THN runs a series...
By Kat Hughes -
Film Reviews
/ 8 hours ago‘Transformers One’ review: Dir. Josh Cooley (2024)
This new adaptation is more than meets the eye.
By Ben Read -
Home Entertainment
/ 11 hours ago‘Me, Myself and the Void’ review: Dir. Tim Hautekiet
Tim Hautekiet’s Me, Myself and the Void offers a fresh spin on Charles Dickens’...
By Kat Hughes