The overwhelming thought as the credits roll of Sean Durkin’s The Iron Claw is why on Earth is it not a serious awards contender? Featuring a career best performance from Zac Efron, The Iron Claw expertly and sensitively explores one of the wrestling world’s most tragic families – the Von Erichs.
Based upon the real life story of Kevin Von Erich (Efron) and his brothers, The Iron Claw recounts their shared passion for wrestling, and the consequences that brought. The men in the family believed that they were the victims of a family curse. Whilst initially that sounds silly, as events unfold, it is easy to see how they began to believe this. Told over many years, The Iron Claw delves into the family dynamics of the Von Erich clan with father, Fritz (Holt McCallany), ruling the household. Fritz has decided that wrestling is the family business and each of his sons are thrust into the sport regardless of their own aspirations or talents. This being a story from another time, he receives little pushback from his dutiful sons, and this is where the trouble begins.
Those unfamiliar with the story of the Von Erich family may make assumptions about where the plot might go. However, their life was far stranger than fiction and it will be near impossible to guess where the narrative is headed. Those who know what is coming will not fare any better as Durkin expertly weaves his story of woe. There is one five minute sequence in particular, featuring a devastating double gut-punch, that is simultaneously so well handled, and so unbelievable, that the brain almost rejects it. Most importantly, despite all the pathos, The Iron Claw never slips into melodrama or awards baiting. In fact, it is likely this stance that has cruelly seen the movie shut out of awards conversations. The approach works for the audience though, offering a more honest portrayal of what was clearly a very tough period in one family’s history.
As engrossing as the remarkable true story is, it is the performances that bring The Iron Claw to life. Zac Efron is heartbreaking as Kevin. Although not the oldest brother, Kevin assumes responsibility for his siblings and the weight around his neck is tangibly oppressive. All he wants in life is to earn the respect of his father and wrestle with his brothers. It’s a simple and sweet life goal, but one that becomes more and more unattainable as the plot evolves. Whilst many will focus on Efron’s acquired physicality for the part, which is worthy of comment, it is his emotional side that shines the brightest. The former Disney star wears all of Kevin’s imposed pressure on his face. Efron expertly communicates every little nuance of Kevin’s turmoil. It is exceptional work, and whilst he may not be a contender for the Oscar, he is sure to be the people’s champion.
Harris Dickinson and Jeremy Allen White offer fantastic support as two of Kevin’s more prominently featured brothers. As David, Dickinson exudes the cocky bravado of iconic wrestlers like Rick Flair. White does superb work as cancelled Olympian, Kerry, and whenever the full on-screen Von Erich clan is on screen, the magic shines. Every little flourish, be it by an actor, a music choice, or shot frame, serves only to enrich The Iron Claw. Careful consideration has been distilled into every aspect creating a biopic story that ensures the viewer experiences every tinge of heartache without going overboard. It is a wonderfully melancholic film that deserves viewer’s time and attention.
The Iron Claw
Kat Hughes
Summary
The Iron Claw is an incredibly respectful portrayal of a real-life tragedy. In forgoing the anticipated melodrama, Durkin has crafted a more emotive viewing experience that is ready to devastate the masses.
The Iron Claw is released in cinemas across the UK from Friday 9th February 2024.
Kat Hughes is a UK born film critic and interviewer who has a passion for horror films. An editor for THN, Kat is also a Rotten Tomatoes Approved Critic. She has bylines with Ghouls Magazine, Arrow Video, Film Stories, Certified Forgotten and FILMHOUNDS and has had essays published in home entertainment releases by Vinegar Syndrome and Second Sight. When not writing about horror, Kat hosts micro podcast Movies with Mummy along with her five-year-old daughter.
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