Stories By Kat Hughes
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Film Festivals
/ 3 months ago‘The Freaks of Fancy’ review: Dir. Elliott Léon [FrightFest 2024]
The horror genre has been around since the dawn of cinema. All the way back since the days of silent movies,...
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Film Festivals
/ 3 months ago‘Shelby Oaks’ review: Dir. Chris Stuckmann [FrightFest 2024]
Chris Stuckmann is best known to audiences for his work on YouTube reviewing films, but the social media personality has recently...
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Film Festivals
/ 3 months ago‘The Bunker’ review: Dir. Brian Hanson [FrightFest 2024]
In 2018, director Brian Hanson, screened his debut feature, The Black String, at Pigeon Shrine FrightFest. Now, six years later, he...
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Film Festivals
/ 3 months ago‘Scarlet Blue’ review: Dir. Aurélia Mengin [FrightFest 2024]
A common misconception about Pigeon Shrine FrightFest is that the festival only plays gory slashers or freakish ghost stories. The reality...
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Film Festivals
/ 3 months ago‘Drive Back’ review: Dir. Cody Ashford [FrightFest 2024]
In 2013, British horror, In Fear, was released. The story found a young couple trapped in a never ending loop of...
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Film Festivals
/ 3 months ago‘The Dæmon’ review: Dirs. Matt Devino & David Michael Yohe [FrightFest 2024]
The literature of author H. P. Lovecraft has inspired wave after wave of horror directors. From all out body horror such...
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Film Festivals
/ 3 months ago‘An Taibhse’ review: Dir. John Farrelly [FrightFest 2024]
In John Farrelly’s feature debut, An Taibhse, aka The Ghost, a father and daughter get more than expected when they begin...
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Film Festivals
/ 3 months ago‘Happy Halloween’ review: Dir. Brittney Greer [FrightFest 2024]
Playing during the opening night of Pigeon Shrine FrightFest is a big deal. When that opening night also begins the 25th...
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Film Festivals
/ 3 months ago‘I Will Never Leave You Alone’ review: Dir. DW Medoff [FrightFest 2024]
Across horror cinema there are hundreds of stories set within haunted houses. Amongst them is a subset of films featuring characters...
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Film Festivals
/ 3 months ago‘Cinderella’s Curse’ review: Dir. Louisa Warren [FrightFest 2024]
Much like A. A. Milne’s Winnie-the-Pooh, the character of Cinderella has recently entered the public domain. This means that creatives can...
