‘We Summon the Darkness’ Review: Dir. Marc Meyers [Frightfest Halloween]

We Summon the Darkness review: A post gig after-party becomes the battleground for two warring groups of friends, in this effortlessly...

‘Candy Corn’ Review: Dir. Josh Hasty [Frightfest Halloween]

Candy Corn review: A Halloween prank goes awry and a group of thugs find themselves fighting for their lives in new...

‘The Shed’ Review: Dir. Frank Sabatella (2019)

The Shed review: A bullied teen discovers a monster hiding in his shed and must decide how to deal with it...

‘Dementer’ Review: Dir. Chad Crawford Kinkle (2019)

Dementer review: A young woman must do everything in her power to save an innocent in this hyper-real, super stylish, and...

‘Portrait Of A Lady On Fire’ Review: Dir. Céline Sciamma (2019) [LFF]

Céline Sciamma has become a filmmaker notorious for crafting films of real intimacy and beauty. Her latest, the much-lauded Cannes darling...

‘Bad Education’ Review: Dir. Cory Finley (2019) [LFF]

Following his darkly wry debut Thoroughbreds, director Cory Finley tackles embezzlement and fraud for his sophomore feature: Bad Education. Like its...

‘The Irishman’ Review: Dir. Martin Scorsese (2019) [LFF]

There’s a lot of reasons to be excited about The Irishman. Not only is it the latest from maestro filmmaker Martin...

Judy & Punch Review: Dir. Mirrah Foulkes (2019) [LFF]

Delivering a twisted origin story for the centuries old puppet show ‘Punch & Judy’, this debut feature from Australian filmmaker Mirrah...

‘Ordinary Love’ Review: Dir. Lisa Barros D’Sa, Glenn Leyburn (2019) [LFF]

Liam Neeson and Lesley Manville star as a married couple facing a crisis in this intimate and stark drama.  Tom (Neeson)...

‘Official Secrets’ Review: Dir. Gavin Hood (2019)

Sometimes a film stumbles into its timeliness with poetic coincidence. With all the talk of whistleblowers currently dominating the news, albeit...