‘Wounds’ Review: Dir. Babak Anvari (2019) [LFF]

Everything from even the premise of Wounds is absurd. Armie Hammer stars as Will, a bartender that spends his nights fixing...

‘Harriet’ Review: Dir. Kasi Lemmons (2019) [LFF]

Kasi Lemmons assembles a superb ensemble cast, led by Cynthia Erivo as the titular Harriet Tubman, in this excellently-crafted period drama...

‘The Two Popes’ Review: Dir. Fernando Meirelles (2019) [LFF]

When you put two great actors together, you are almost guaranteed a certain level of success when it comes to the...

‘Hope Gap’ Review: Dir. William Nicholson (2019) [LFF]

Divorce dramas seem to be the hot ticket of this year’s LFF; as well as Noah Baumbach’s much-lauded Marriage Story, Annette...

‘Color Out Of Space’ Review: Dir. Richard Stanley (2019) [LFF]

It has been a very long 27 years since filmmaker Richard Stanley stepped behind the camera for his last narrative feature,...

‘Mystify: Michael Hutchence’ Review: Dir. Richard Lowenstein (2019) [LFF]

Being of a certain age, Michael Hutchence was more known to me as a celebrity embroiled in a scandalous affair than...

‘Synchronic’ Review: Dirs. Justin Benson, Aaron Moorhead (2019) [LFF]

It’s difficult to convey how one feels about Synchronic after leaving the auditorium. Confusion, bewilderment and many other emotions – including...

‘Blackbird’ Review: Dir. Roger Michell (2019) [LFF]

Blackbird review: Assisted suicide is put under the microscope in this ensemble drama from British filmmaker Roger Michell, a film based...

‘Seberg’ Review: Dir. Benedict Andrews (2019) [LFF]

Kristen Stewart leads an impressive cast in this true story of Jean Seberg, the hugely popular French New Wave actress and...

‘The Peanut Butter Falcon’ Review: Dir. Tyler Nilson, Mike Schwartz (2019) [LFF]

When longing for a true feelgood film, the selection on offer can often be littered with tales that unfortunately overflow into...