‘The Lonely Man with the Ghost Machine’ review: Dir. Graham Skipper [Make Believe Fest]

It was all the way back in 2017 that we last got a movie directed by Graham Skipper. In the interim...

‘Furiosa: A Mad Max Saga’ will get its world premiere at this year’s Cannes festival

In some rather unsurprising news, Furiosa: A Mad Max Saga, George Miller’s latest entry in the Mad Max saga, will get...

‘Cold Wallet’ review: Dir Cutter Hodierne [SXSW 2024]

Based on a slightly true story, Cold Wallet is a clever thriller from Cutter Hodierne. Cold Wallet marks Hodierne’s new feature...

Cinema Made In Italy festival returns to London to celebrate the very best in Italian film

A preview of this month's festival in London bringing ten of the very best Italian films from the past twelve months.

‘Things Will Be Different’ review: Dir. Michael Felker [SXSW 2024]

For years Michael Felker has worked as both an editor and short film director. His editing career has been closely linked...

‘Kryptic’ review: Dir. Kourtney Roy [SXSW 2024]

Directed by Kourtney Roy and written by Paul Bromley, Kryptic is one of the strangest films at SXSW 2024. It might...

‘Dead Mail’ review: Dirs. Joe DeBoer & Kyle McConaghy

Set in the 80s, Joe DeBoer and Kyle McConaghy’s SXSW offering, Dead Mail, tells a tangled tale connected to an ominous...

‘Hunting Daze’ review: Dir. Annick Blanc [SXSW 2024]

Writer and director, Annick Blanc, brings their feature film debut, Hunting Daze, to this year’s SXSW Film Festival. Screening as part...

‘Birdeater’ review: Dirs. Jack Clark & Jim Weir [SXSW 2024]

Although set in the wilderness of rural Australia, Jack Clark and Jim Weir’s Birdeater has nothing to do with the deadly...

‘The Well’ review: Dir. Federico Zampaglione [FrightFest Glasgow 2024]

The screening of Federico Zampaglione’s Tulpa is a FrightFest legend. The version of the film that played to attendees however, is...