Berlinale ’16: Paul’s Top Ten From This Year’s Festival

I’ve been in Berlin for nearly ten days now and this year’s festival is coming to a close. We’ve covered tons...

Sydney ’16: Saint Amour review

Sydney ’16: Saint Amour review: A comedy cracker from writing and directing Benoît Delépine and Gustave Kervern. Sideways goes French in...

Berlinale ’16: United States Of Love review

United States Of Love review: Tomasz Wasilewski’s film is a revealing, intimate and compelling study of four women struggling. United States...

Berlinale ’16: The Ones Below review

The Ones Below review: David Farr’s film debut is one of the best British psychological thrillers for years. The Ones Below...

‘Little Men’ review: “Impeccable”

Little Men review: Another gem from Love Is Strange filmmaker Ira Sachs, with an impeccable cast and a supreme new talent...

Berlinale ’16: Miles Ahead review

Miles Ahead review: Don Cheadle intricately brings his story of Miles Davis to Berlinale. Miles Ahead review by Paul Heath at...

Berlinale ’16: Cinematographer Michael Ballhaus receives lifetime achievement award

Here at Berlinale, a host of Martin Scorsese films have been showing at various venue across the city. The likes of...

Berlinale ’16: Press Conference Gallery: ‘Miles Ahead’

We finally managed to catch Don Cheadle‘s passion project Miles Ahead here at the Berlin Film Festival last night, and while...

Sydney ’16: Goat review

Sydney ’16: Goat review: Nick Jonas delivers a breakthrough performance as the brother of a wannabee frat member in this intense...

The Commune review: “An absolute treat”

The Commune review: Danish director Thomas Vinterberg returns to his homeland with this triumphant intimate portrait of 1970s Copenhagen. An extremely...