‘Departing Seniors’ review: Dir. Clare Cooney [FrightFest 2023]

The teen-horror sub-genre was once big money. In a post-Scream world, almost every horror released in its wake focussed on teenagers...

‘Farang’ review: Dir. Xavier Gens [FrightFest 2023]

To the horror world, Xavier Gens is known as one of the pioneers of New Wave French Extremity. HIs movie Frontier(s)...

‘Failure!’ review: Dir. Alex Kahuam [FrightFest 2023]

Once you are in the FrightFest machine, you are in for life. This statement is true for both attendees and filmmakers....

‘Home Sweet Home: Where Evil Lives’ review: Dir. Thomas Sieben [FrightFest 2023]

Of all the movie formats out there, it is the one-take film that is perhaps the hardest to master. Whereas other...

‘Founders Day’ review: Dir. Erik Bloomquist [FrightFest 2023]

We have said it before, and we’ll say it again, Erik Bloomquist is one of the hardest working directors. In the...

‘Otto Baxter: Not a F*cking Horror Story’ review: Dir. Bruce Fletcher & Peter Beard [FrightFest 2023]

In amongst all the fictional horrors on offer at Pigeon Shrine FrightFest, the directors make sure to add in documentaries for...

‘Good Boy’ review: Dir. Viljar Bøe [FrightFest 2023]

Of all the films playing at this year’s Pigeon Shrine FrightFest, Good Boy is perhaps the one that has generated the...

‘My Mother’s Eyes’ review: Dir. Takeshi Kushida [FrightFest 2023]

The relationship between technology and the self is something that has become more and more relevant in recent years. Technology has...

‘The Blue Rose’ review: Dir. George Baron [FrightFest 2023]

Whilst most eighteen year olds are still trying to find their place in the world, George Baron has decided that a...

‘T Blockers’ review: Dir. Alice Maio Mackay [FrightFest 2023]

Although only eighteen-years-old, Alice Maio Mackay is already onto her third feature film. So Vam and Bad Girl Boogey were both...