‘Indiana Jones and the Dial of Destiny’ confirmed for Cannes

It is official, Indiana Jones and the Dial of Destiny will receive its world premiere at this year’s Cannes Film Festival...

‘Aberrance’ Review: Dir. Baatar Batsukh [SXSW]

Dedicated as ‘For Darren Aronofsky’ during the closing credits, Baatar Batsukh’s Aberrance has clearly been influenced by the big name director....

‘Monolith’ Review: Dir. Matt Vesely [SXSW]

Few films created during the pandemic lend themselves as easily to the on-set Covid protocols as Matt Vesely’s Monolith. Working from...

‘Brooklyn 45’ Review: Dir. Ted Geoghegan [SXSW]

By day Ted Geoghegan works to help raise awareness for independent movies as a film publicist. In his other time Geoghegan...

‘The Angry Black Girl and Her Monster’ Review: Dir. Bomani J. Story [SXSW]

Mary Shelley’s novel Frankenstein has been a constant source of inspiration to the film world since people began making movies. Adaptations...

‘Satan Wants You’ Review: Dirs. Steve J. Adams & Sean Horlor [SXSW]

During much of the eighties and early nineties, America was caught in the grip of Satanic Panic. The hysteria saw parents...

‘The Wrath of Becky’ Review: Dirs. Matt Angel & Suzanne Coote [SXSW]

In 2020, low-budget home invasion thriller, Becky, came as something of a surprise. The film placed a young girl, Becky (Lulu...

‘Here for Blood’ review: Dir. Daniel Turres [FrightFest Glasgow]

A pro-wrestler turns babysitter in an effort to help his girlfriend study in new home invasion slasher, Here For Blood. Directed...

‘Molli and Max in the Future’ Review: Dir. Michael Lukk Litwak [SXSW]

Set in a futuristic world and told over the course of twelve years, four planets, and three dimensions, Molli and Max...

The Artifice Girl’ Review: Dir. Franklin Ritch [SXSW]

Mankind’s relationship with technology has been a constant source of inspiration for the science-fiction genre for years. Be it an over...