‘Psyche’ review: Dir. Stephon Stewart [FrightFest Glasgow 2025]

Every year, FrightFest nestles itself into the programming of the wider Glasgow Film Festival to bring some wonderfully weird and horrifying...

‘Crickets, It’s Your Turn’ review: Dir. Olga Korotko [GFF 2025]

Olga Korotko’s Crickets, It’s Your Turn presents a promising take on a certain branch of revenge movies, the type typically only...

‘Sharp Corner’ review: Dir. Jason Buxton [GFF 2025]

Moving house can be a nightmare. But whilst for most, once all of the boxes have been moved in, the ordeal...

‘Daniela Forever’ review: Dir. Nacho Vigalondo [GFF 2025]

Nacho Vigalondo’s 2016 film, Colossal, took audiences by surprise as, despite presenting itself as a romantic comedy during its marketing campaign,...

‘Silver Star’ review: Dirs. Ruben Amar & Lola Bessis [GFF 2025]

Since her appearance in Stranger Things’ season four premiere, Grace Van Dien has been one of young Hollywood’s most in-demand indie...

‘Gazer’ review: Dir. Ryan J. Sloan [GFF 2025]

Glasgow Film Festival has returned and so too has our coverage. The first film we are covering this year is the...

‘Honey Bunch’ review: Dirs. Madeleine Sims-Fewer & Dusty Mancinelli [Berlinale 2025] 

In 2020, Madeleine Sims-Fewer and Dusty Mancinelli floored audiences with their harrowing take on the rape-revenge story. Now, five years later,...

‘The Good Sister’ review: Dir. Sarah Miro Fischer [Berlinale 2025]

Sarah Miro Fischer makes her feature film debut with this striking piece of work appearing in the Panorama strand at the...

‘Mother’s Baby’ review: Dir. Johanna Moder [Berlinale 2025]

Parenthood. Arguably the most amazing gift one could receive, but the burden of having a child and the feelings experienced in...

‘Late Shift’ review: Dir. Petra Volpe [Berlinale 2025]

According to a recent study, there will be a massive shortage of 40,000 nurses in Switzerland by the year 2040. This...