’Some Like it Rare’ review: Dir. Fabrice Eboué [FrightFest Glasgow]

In these horrible uncertain and frightening times, the need for some light relief has never been greater and they don’t come...

’The Ledge’ review: Dir. Howard J. Ford [FrightFest Glasgow]

Single situation settings are a Godsend for independent movies. Ideas revolving around only a  couple of locations are easier, and most...

’Mandrake’ review: Dir. Lynne Davison [FrightFest Glasgow]

The witch is a character that has been explored countless times in the media, and yet it remains one of the...

’Deadstream’ review: Dirs. Joseph and Vanessa Winter [SXSW 2022]

Once upon a time, not so long ago, found footage films included the discovery of a VHS or DV tape. As...

’Sissy’ review: Dirs. Hannah Barlow & Kane Senes [SXSW 2022]

In the world of cinema, the influencer has surpassed the writer to become a protagonist’s occupation of choice. In fact, of...

’Wyrmwood: Apocalypse’ review: Dir. Kiah Roache-Turner [FrightFest Glasgow]

Sequels are always a tricky thing. On the one hand you have a built-in audience that liked the first film and...

’You Are Not My Mother’ review: Dir. Kate Dolan [FrightFest Glasgow]

Written and directed by Kate Dolan, You Are Not My Mother is an excellent new addition to the ever expanding branch...

’A Cloud so High’ review: Dir. Christopher Lee Parson [FrightFest Glasgow]

Written and directed by Christopher Lee Parson, a film industry ‘Jack of all trades, A Cloud So High is a project...

’Night’s End’ review: Dir, Jennifer Reeder [FrightFest Glasgow]

Originally this year’s FrightFest Glasgow was supposed to screen an exciting discovery as it’s unofficial opening night movie. Unfortunately that wasn’t...

’Adult Adoption’ review: Dir. Karen Knox [Glasgow 2022]

Written by lead actor Ellie Moon, Adult Adoption is a wickedly smart comedy drama (in the same vein as Juno) that...