‘Longlegs’ review: Dir. Oz Perkins (2024)

The marketing for Longlegs has been one of the best horror campaigns since 1999’s The Blair Witch Project. Coded messages and...

‘Kill’ review: Dir. Nikhil Nagesh Bhat (2024)

Where once cinemas were overflowing with Marvel and DC properties, there now seems to be a return to old-school action cinema....

‘Sleep’ review: Dir. Jason Yu [Raindance]

A lack of sleep is the fastest path to a decline in mental health. The body requires sleep so that it...

‘Cat Call’ review: Dir. Rozália Szeleczki [Raindance]

Also known at Cicaverzum in its native Hungarian language, Rozália Szeleczki’s Cat Call is one of the wildest romantic comedies in...

‘MaXXXine’ review: Dir. Ti West (2024)

MaXXXine arrives in UK cinemas from 5th July 2024.

‘The Vourdalak’ review: Dir. Adrien Beau (2024)

Whilst the world is enraptured with Bram Stoker’s novel, Dracula, it was not the first work of literature to explore vampiric...

‘The Exorcism’ review: Dir. Joshua John Miller (2024)

After starring in The Pope’s Exorcist and now The Exorcism, it is safe to say that Russell Crowe is firmly in...

‘The Weekend’ review: Dir. Daniel Oriahi [TriBeCa 2024]

African horror films are few and far between, and films set within the genre often struggle to get attention. This is...

‘Restless’ review: Dir. Jed Hart [TriBeca 2024]

Along with your family, another set of people that you have no control over is who your neighbours are. If you...

‘She Loved Blossoms More’ review: Dir. Yannis Veslemes [TriBeCa 2024]

Yannis Veslemes’ She Loved Blossoms More has just received its world premiere at this year’s TriBeCa. A strange slice of experimental...