‘The Devil’s Bath’ review: Dirs. Severin Fiala & Veronika Franz [TriBeCa 2024]

After devastating audiences with both Goodnight Mommy and The Lodge, writing and directing duo Severin Fiala and Veronika Franz remain in...

‘Beacon’ review: Dir. Roxy Shih [TriBeCa 2024]

In Roxy Shih’s Beacon, an ambitious young woman, Emily (Julia Goldani Telles), finds herself trapped in the company of a man,...

‘#AMFAD: All My Friends are Dead’ review: Dir. Marcus Dunstan [TriBeCa 2024]

Having written four of the Saw films, and directed The Collector, Marcus Dunstan is a reliable name in horror. Having established...

‘They’re Here’ review: Dirs. Daniel Claridge & Pacho Velez [TriBeCa 2024]

Whether we are alone in the universe is a long contested debate. Some argue that we can’t be the only sentient...

‘A Desert’ review: Dir. Joshua Erkman [TriBeCa 2024]

Directed by Joshua Erkman, A Desert, tells a tangled narrative web centred on one photographer’s road trip from Hell. Alex Clark...

‘The A-Frame’ review: Dir. Calvin Lee Reeder [TriBeCa 2024]

Stories of mad science have been entertaining people for centuries. Whether it be from the literature of Mary Shelley, H. P....

‘I Saw the TV Glow’ review: Dir. Jane Schoenbrun [Sundance London]

In 2021, Jane Schoenbrun burst onto the genre scene with her mesmerising screen-life chiller, We’re All Going to the World’s Fair. The film...

‘Your Monster’ review: Dir. Caroline Lindy [Sundance London]

Since her breakout in the fifth Scream, Melissa Barrera has steadily carved out a career within the horror genre. Earlier this...

‘The Damned’ review: Dir. Thordur Palsson [TriBeCa 2024]

Paranoia and superstition collide in Thordur Palsson’s directorial feature debut, The Damned. Set in 19th Century Iceland, The Damned chronicles the...

‘The Dead Don’t Hurt’ review: Dir. Viggo Mortensen (2024)

Once upon a time the Western had Hollywood in a stranglehold. Much like our modern day obsession with superhero stories, Westerns...