‘The Substance’ review: Dir. Coralie Fargeat [Cannes 2024]

Every so often, a film comes along that takes you completely by surprise for its sheer uniqueness, and utter wow/ shock...

‘Tiger Stripes’ review: Dir. Amanda Nell Eu (2024)

Being a teenager is hard, but being a teenage girl is Hell. Whilst puberty can be tough for all, the changing...

‘Hoard’ review: Dir. Luna Carmoon (2024)

After its screening at last year’s London Film Festival, Hoard became one of the most talked about films. Written and directed...

‘Kingdom of the Planet of the Apes’ review: Dir. Wes Ball (2024)

The latest instalment in the series is now playing.

‘Riddle of Fire’ review: Dir. Weston Razooli (2024)

For years the film industry has been in a stranglehold of superhero movies, remakes, and films based on existing properties. Recently...

‘The Fall Guy’ review: Dir. David Leitch (2024)

Ryan Gosling stars in the big-screen version of the classic '80s TV show.

‘In The Land Of Saints and Sinners’ review: Dir. Robert Lorenz (2024)

The film is released on Netflix this week.

‘Humane’ review: Dir. Caitlin Cronenberg (2024)

The Cronenberg name is synonymous with strange movies. It began with David Cronenberg, and the mantle has so far been continued...

‘The Buildout’ review: Dir. Zeshaan Younus [Panic Fest 2024]

In 2023 The Outwaters dominated independent horror. The found-footage, psychedelic nightmare, proved that you don’t need a dark and dank forest...

‘Boy Kills World’ review: Dir. Moritz Mohr (2024)

Bill Skarsgård is kicking off his 2024 slate strong with Boy Kills World. Directed by Moritz Mohr, and produced by Sam...