‘The Moment’ review: Dir. Aidan Zamiri [Berlinale]

My initial reaction to The Moment, as a couple of my peers sent messages asking for my initial thoughts, is that...

‘Truly Naked’ review: Dir. Muriel d’Ansembourg [Berlinale]

Muriel d’Ansembourg’s intriguing new film focuses on an introverted teenager working for his father’s pornography business in a small, unnamed seaside...

‘Cold Storage’ review: Dir. Jonny Campbell (2026)

Last year, just like audiences across the globe, actor Joe Keery said goodbye to Stranger Things. The show launched his career...

‘Rose’ review: Dir. Markus Schleinzer [Berlinale]

Sandra Hüller is sensational in Austrian filmmaker Markus Schleinzer’s latest feature about a soldier who returns from war to inherit a...

“Wuthering Heights” review: Dir. Emerald Fennell (2026)

Catherine Earnshaw (Margot Robbie) lives with her alcoholic father (Martin Clunes) in Wuthering Heights alongside her “pet” Heathcliff (Jacob Elordi), a...

‘Only Rebels Win’ review: Dir. Danielle Arbid [Berlinale]

Kicking off this year’s Panorama strand at the Berlin International Film Festival is Danielle Arbid’s superb new offering, a story set...

‘It’s Never Over, Jeff Buckley’ review: Dir. Amy J. Berg (2026)

The short but oh so very bright life of singer and songwriter Jeff Buckley is the focus of Amy J. Berg’s...

‘The Incomer’ review: Louis Paxton [Sundance 2026]

Alongside its high profile dramas and documentary movies, the Sundance Film Festival often has some comedy gems hidden amongst its programming....

‘Whistle’ review: Dir. Corin Hardy (2026)

Corin Hardy is a filmmaker that THN have been mildly obsessed with ever since his feature debut, The Hallow. Since then,...

‘Josephine’ review: Dir. Beth de Araújo [Sundance 2026]

Of all the films receiving the most buzz out of this year’s Sundance Film Festival, it is perhaps writer and director...