‘The Greatest Night In Pop’ review: Dir. Bao Nguyen [Sundance]

Accomplished filmmaker Bao Nguyen takes us on a trip back to 1985 and the historic recording of one of the biggest...

‘A Real Pain’ review: Dir. Jesse Eisenberg [Sundance]

Jesse Eisenberg delivers his brilliant sophomore directing effort, a deeply personal piece where his character Dave and cousin Benji visit Poland...

‘In a Violent Nature’ review: Dir. Chris Nash [Sundance 2024]

Although they have been around forever, slasher movies are still met with a lot of snobbery from some genre fans. These...

‘Love Lies Bleeding’ review: Dir. Rose Glass [Sundance 2024]

In 2019, Rose Glass announced herself to the world with the phenomenal Saint Maud. The film was an immersive character study...

‘Krazy House’ review: Dirs. Steffen Haars & Flip Van der Kuil [Sundance 2024]

It’s January and whilst most are focused on awards season being in full swing, it is also the start of festival...

‘In Broad Daylight’ review: Dir. Lawrence Kwan Chun Kan

Exposés into care homes across the globe have uncovered shocking levels of neglect and abuse levied against some of the most...

‘The Holdovers’ review: Dir. Alexander Payne (2024)

Christmas-set drama, The Holdovers, has had to wait until mid-January to arrive in UK cinemas. It is a strange move on...

‘Mean Girls’ review: Dirs. Samantha Jayne & Arturo Perez Jr. (2024)

Twenty years ago Mean Girls exploded into cinemas. The film was a delicious teen movie starring Lindsay Lohan as a home-schooled...

‘The Beekeeper’ review: Dir. David Ayer (2024)

Jason Statham is back doing what he does best, beating up the bad guys in The Beekeeper. This time around he...

‘Poor Things’ review: Dir. Yorgos Lanthimos (2024)

Yorgos Lanthinmos' new film is up there with his best.