‘Frewaka’ review: Dir. Aislinn Clarke [LFF 2024]

Aislinn Clarke’s debut feature The Devil’s Doorway, was one of FrightFest 2018’s First Blood offerings. Told in the found-footage style, it...

‘The Surfer’ review: Dir. Lorcan Finnegan [LFF 2024]

Nicolas Cage started this year strong with his creepy and unhinged performance as the titular serial killer in Longlegs. Then there...

‘Transformers One’ review: Dir. Josh Cooley (2024)

This new adaptation is more than meets the eye.

‘Terrifier 3’ review: Dir. Damien Leone (2024)

The third instalment in the horror franchise is in cinemas this week.

‘Joker: Folie à Deux’ review: Dir. Todd Phillips (2024)

Todd Phillips' sequel takes a bow.

‘Frankie Freako’ review: Dir. Steven Kostanski [Fantastic Fest 2024]

Steven Kostanski is both a prolific special effects artist, and a talented writer and director. His 2016 Lovecraftian horror, The Void,...

‘V/H/S Beyond’ review: Dirs. Misc [Fantastic Fest]

It wouldn’t be October without a new V/H/S film arriving on to horror streaming platform, Shudder, and this year is no...

‘Hellboy: The Crooked Man’ review: Dir. Brian Taylor (2024)

What's the fourth movie adapted from the cult comic books like?

‘Daddy’s Head’ review: Dir. Benjamin Barfoot [Fantastic Fest 2024]

Benjamin Barfoot’s horror comedy, Double Date, is one of the funniest British genre films since Shaun of the Dead. The film...

‘Strange Harvest: Occult Murder in the Inland Empire’ review: Dir. Stuart Ortiz [Fantastic Fest 2024]

Stuart Ortiz’s Strange Harvest: Occult Murder in the Inland Empire is presented to the viewer as a true crime documentary. Tapping...