‘Elemental’ review: Dir. Peter Sohn (2023)

Elemental is the latest existential experiment from Pixar who, notoriously, have found a great deal of success in their therapy session...

‘Indiana Jones and the Dial of Destiny’ review: Dir. James Mangold (2023)

For a lot of people in their late thirties and forties, the Indiana Jones movies defined their childhood and laid the...

‘Asteroid City’ review: Dir. Wes Anderson (2023)

The pastel-soaked idiosyncrasies of Wes Anderson are, once again, cultivating controversy as the esoteric filmmaker’s cosmic caper Asteroid City begins its...

‘The Flash’ review: Dir. Andy Muschietti (2023)

For a movie about a speedster, The Flash has been a long time coming. In active development for the best part...

‘The Seeding’ Review: Dir. Barnaby Clay [TriBeCa 2023]

It is hard to know exactly where to start, or how much to share about writer and director Barnaby Clay’s The...

‘Suitable Flesh’ Review: Dir. Joe Lynch [TriBeCa 2023]

In 2020 the horror world lost Stuart Gordon, the ingenious mind behind cult classics Re-Animator, From Beyond, Dolls and Castle Freak....

‘You’ll Never Find Me’ Review: Dirs. Josiah Allen & Indianna Bell [TriBeCa 2023]

During the pandemic many filmmakers had to pivot and think of new ways to tell stories. Gone were the big productions...

‘Bad Things’ Review: Dir. Stewart Thorndike [TriBeCa 2023]

Paranoia and mistrust are always great bedfellows with hotels. There is something about the supposed ‘home away from homes’ that lends...

‘Medusa Deluxe’ Review: Dir. Thomas Hardiman (2023)

Despite giving a vital service, the world of hairdressing has always had an untapped potential for film. Whilst many others have...

‘The Little Mermaid’ review: Dir. Rob Marshall (2023)

You may have noticed, but Disney seems really into remaking their classic features in live-action. Since Alice In Wonderland climbed to...