‘A Good Person’ review: Dir. Zach Braff (2023)

Zach Braff’s last directorial effort was the fun but flawed generic, geriatric crime flick Going In Style, and after helming episodes...

‘John Wick Chapter 4’ Review: Dir. Chad Stahelski (2023)

The man, the myth, the legend that is John Wick is back. In 2014, when the first John Wick released, no...

‘Pearl’ Review: Dir. Ti West (2023)

It was around this time last year that Ti West’s X arrived in UK cinemas. Set in the seventies, the film...

‘Shazam! Fury of the Gods’ review: Dir. David F. Sandberg (2023) 

There are changes afoot at DC studios. With the appointment of James Gunn and Peter Safran as the new CEOs at...

‘Aberrance’ Review: Dir. Baatar Batsukh [SXSW]

Dedicated as ‘For Darren Aronofsky’ during the closing credits, Baatar Batsukh’s Aberrance has clearly been influenced by the big name director....

‘Monolith’ Review: Dir. Matt Vesely [SXSW]

Few films created during the pandemic lend themselves as easily to the on-set Covid protocols as Matt Vesely’s Monolith. Working from...

‘Heathers: The Musical’ Review: Dir. Andy Fickman (2023)

In 1989 Micahel Lehmann helmed one of the best dark-hearted teen films in cinema, Heathers. The film starred Winona Ryder and...

‘Brooklyn 45’ Review: Dir. Ted Geoghegan [SXSW]

By day Ted Geoghegan works to help raise awareness for independent movies as a film publicist. In his other time Geoghegan...

‘The Angry Black Girl and Her Monster’ Review: Dir. Bomani J. Story [SXSW]

Mary Shelley’s novel Frankenstein has been a constant source of inspiration to the film world since people began making movies. Adaptations...

‘Satan Wants You’ Review: Dirs. Steve J. Adams & Sean Horlor [SXSW]

During much of the eighties and early nineties, America was caught in the grip of Satanic Panic. The hysteria saw parents...