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Interviews
/ 4 years agoInterview: Christian Stella & Jeremy Gardner on ‘After Midnight’
If you’re a fan of modern genre films then it’s more than likely that you’ll be familiar with the face of...
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Interviews
/ 4 years agoDirector Keola Racela on Horror Comedy ‘Porno’
Porno is a debut feature from filmmaker Keola Racela. The film is a horror comedy set in the year 1992 at...
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Interviews
/ 4 years agoDirector Richard Bates Jr Discusses ‘Killer Instinct’
Having made several quirky horror films already, writer / director Richard Bates Jr is fast becoming an interesting voice in the...
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Interviews
/ 4 years agoLucky McKee Looks Back on ‘The Woman’
Directed by Lucky McKee, The Woman was first released in 2011. It starred Pollyanna McIntosh as she reprised her role from...
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Interviews
/ 4 years agoInterview: Actors Sidney Flanigan & Talia Ryder on ‘Never Rarely Sometimes Always’
The past few months have provided some genuine riches from women directors. Autumn de Wilde’s Emma just made it into cinemas...
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Interviews
/ 4 years agoDirecting Duo Brett and Drew Pierce Discuss ‘The Wretched’
The Wretched arrived on Digital HD on 8th May and tells the haunting tale of a teenage boy who realises that there’s...
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Interviews
/ 4 years agoExclusive Interview: Ed Westwick Shares All on Latest Film ‘Enemy Lines’
Known to most for his portrayal of the dastardly dashing Chuck Bass in Gossip Girl, actor Ed Westwick heads up this week’s...
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Interviews
/ 5 years agoInterview: Filmmaker Nick Rowland on debut feature ‘Calm With Horses’
Following a brief cinema release before they closed their doors late last month, crime drama Calm With Horses arrives on the...
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Interviews
/ 5 years agoInterview with Director Kirill Sokolov for Debut Feature Film ‘Why Don’t You Just Die!’
Why Don’t You Just Die! is set to become the next foreign language sensation. Taking influence from early Tarantino, Russian physicist-turned-director Kirill...
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Interviews
/ 5 years agoInterview: Michael McCusker on editing ‘Le Mans ’66’
James Mangold’s six-time editor, Michael McCusker, on why he approached Le Mans ‘66 as a “four-act movie” “A movie is only...